ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ³ ³ The federation of releasing groups presents ³ ³ ³ ³ The XviD Releasing Standards 2009 ³ ³ ³ ÀÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÙ
[nfo]ÚÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ Requirements: Notepad with terminal font or any other ascii viewer. ³ ÃÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ´ ³ ÀÄÄÄ[ INTRO ]ÄÄÄÙ ³ ³ ³ ³ These rules take effect March 5, 2009 (2009-03-05) at 00:00 UTC. Thanks to ³ ³ all groups who participated. ³ ³ ³ ÀÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÙ ÚÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄ¿ ³ ÀÄÄÄ[ RELEASE RULES ]ÄÄÄÙ ³ ³ ³ ³ ³ ³ Movie Length: ³ ³ - Allowed sizes are 175MB, 350MB and multiples of 1 CD (700MB). ³ ³ - The following formula will guide you to get the appropriate size: ³ ³ target-size = VIDEO-FPS * VIDEO-RUNTIME(in mins) * 0.28 ³ ³ Use the target-size value to index the MAXIMUM allowed size, examples: ³ ³ target-size = 25.000fps * 98min * 0.28 = 686, MAX size is 1 CD ³ ³ target-size = 23.976fps * 49min * 0.28 = 329, MAX size is 1/2 CD ³ ³ target-size = 18.000fps * 65min * 0.28 = 328, MAX size is 1/2 CD ³ ³ VIDEO-RUNTIME is in minutes only, no fractions, and rounded up to the ³ ³ next full minute, e.g. 104 min and 5 secs = put 105 min inside the ³ ³ formula. The following table describes the MAXIMUM size allowed for ³ ³ each runtime in minutes: ³ ³ ³ ³ FPS ³ 175MB ³ 350MB ³ 700MB ³ 1400MB ³ 2100MB ³ ³ 23.976 ³ -26 ³ 26:01-52 ³ 52:01-104 ³ 104:01-208 ³ 208:01-312 ³ ³ 25.000 ³ -25 ³ 25:01-50 ³ 50:01-100 ³ 100:01-200 ³ 200:01-300 ³ ³ 29.970 ³ -20 ³ 20:01-41 ³ 41:01-83 ³ 83:01-166 ³ 166:01-250 ³ ³ ³ ³ - The above table indicates the MAXIMUM size allowed to encode at, but ³ ³ it is ripper's discretion to use smaller values, e.g. 110 min PAL movie ³ ³ can use AT MOST 1400MB but can also use lower sizes such as 700MB. ³ ³ - If at the lowest resolution allowed and MP3 audio bitrate of 128 kbps ³ ³ average I/P quant is above 4.5, releases may jump 1 size up (e.g. 2 CDs ³ ³ may be used instead of 1). Such cases MUST provide proper proof and ³ ³ explanation in the nfo. ³ ³ - If the formula gives a value below 100MB, sizes smaller than 175MB are ³ ³ allowed, at ripper's discretion. ³ ³ - MAXIMUM CD media capacity value is 736966656 bytes = 719694 KB = 702 MB ³ ³ - MINIMUM CD media capacity value is 723517440 bytes = 706560 KB = 690 MB ³ ³ - When using multiple CD releases, releases MUST utilize the full ³ ³ burnable media capacity for each CD used (each CD must conform to the ³ ³ 690MB minimum). ³ ³ ³ ³ ³ ³ TV Length: ³ ³ - All Episodes <RETAIL rips> are obligated to follow these rules. ³ ³ - Allowed sizes in MB are 175, 233, 350 and multiples of 700 (an extra ³ ³ OPTIONAL size is 550MB, see below). ³ ³ - Use the same target-size formula listed above to determine appropriate ³ ³ sizing. Some examples are: ³ ³ target-size = 25.000fps * 20min * 0.28 = 140, MAX size is 175 MB ³ ³ target-size = 23.976fps * 60min * 0.28 = 403, MAX size is 700 MB ³ ³ target-size = 29.970fps * 25min * 0.28 = 210, MAX size is 233 MB ³ ³ * VIDEO-RUNTIME is in minutes only, no fractions, and rounded up to ³ ³ the next full minute, e.g. 41 min and 5 secs = put 42 min inside the ³ ³ formula. ³ ³ - 550MB may be used at ripper's discretion when target-size is above ³ ³ 260MB. ³ ³ - If the formula gives a value below 100MB, sizes smaller than 175MB are ³ ³ allowed, at ripper's discretion. It is also ripper's discretion to use ³ ³ smaller sizes than those targeted by the formula for each specific ³ ³ runtime and framerate (e.g. a release that should be 350MB according to ³ ³ the formula may also be released at 233MB). ³ ³ ³ ³ ³ ³ AUDIO: ³ ³ - MUST be VBR MP3 or Studio AC3. ³ ³ - ABR is considered a VBR technique. ³ ³ - MUST be STEREO for STEREO sources, MONO for MONO sources ³ ³ (Any audio track with identical channels is considered a MONO source). ³ ³ - MP3 tracks must keep the original frequency as it was on the source's ³ ³ audio: e.g. 48khz for 48khz and 44.1khz for 44.1khz. ³ ³ - Mono or Dual Mono (1+1) AC3 is forbidden; use mono MP3. ³ ³ - MP3 audio must be normalized. Stereo sources must use stereo or ³ ³ joint-stereo encoding mode. Mono sources must use mono encoding mode; ³ ³ dual-mono is forbidden. ³ ³ - Encoding or re-encoding audio to AC3 is strictly forbidden, except in ³ ³ in the case of HD retail source (see Source related notes). ³ ³ - Use of AC3 is at the ripper's discretion, but should be used wisely. ³ ³ Choice of AC3 or MP3 is not a technical flaw except as otherwise noted. ³ ³ - Multi-language audio tracks are FORBIDDEN! (Use INTERNAL) ³ ³ ³ ³ ³ ³ VIDEO: ³ ³ - Keyframe: ³ ³ MUST be <=20 seconds and MUST be inserted according to scene changes ³ ³ and framesizes as determined by the codec or encoding application. ³ ³ - Group watermarks of any kind on the video are forbidden. ³ ³ - English retail releases may not contain foreign language text overlays ³ ³ from localized versions. ³ ³ ³ ³ ³ ³ Framerate: ³ ³ - MUST be as close to original source framerate as possible. ³ ³ - In some cases PAL movies need to be IVTC'd (e.g. to 24fps). Therefore ³ ³ using a PAL source is not an excuse for lack of IVTC. ³ ³ - Hybrid sources are left at ripper's discretion if to IVTC or not. ³ ³ Ripper should mention and provide proof to any claim for ITVC or lack ³ ³ thereof. ³ ³ ³ ³ ³ ³ Codec: ³ ³ - MUST BE XviD (all DivX codecs are banned). ³ ³ - MUST use 2 pass technique during encoding. ³ ³ - No dupes based on codec type, use INTERNAL! ³ ³ ³ ³ ³ ³ Resolution and Aspect Ratio: ³ ³ - Width: 576 - 640 pixels for movies with an AR of 1.70-3.00 ³ ³ 512 - 640 pixels for movies with an AR of 1.00-1.69 ³ ³ - Width and Height must be multiples of 16. ³ ³ - Cropping is required such that black borders are cropped to their ³ ³ maximum. In the case that the video presents changing ARs, the video ³ ³ must be cropped such that no frame is overcropped. ³ ³ * Over- or undercropping by more than 1 pixel is considered a technical ³ ³ flaw, although it is preferable to crop the 1 pixel out. ³ ³ - Video encodes must be within 4% of the original aspect ratio. ³ ³ Calculating AR % error: (Original AR - Release AR)/Original AR x 100 ³ ³ - Non-retail video sources may not have the usual retail aspect ratio ³ ³ due to different processing. All releases should be based on the actual ³ ³ source AR, not on retail AR listed on IMDB or other sources. ³ ³ ³ ³ ³ ³ Subtitles: ³ ³ - OPTIONAL (ONLY if all other requirements have been met). ³ ³ - Subtitles MUST be packed in a RAR file with the most compression ³ ³ available. This RAR file shall be placed in a directory named 'Subs' ³ ³ along with an SFV file containing standard checksum information for ³ ³ that RAR. The subtitles must not be packaged in the main RARs for the ³ ³ release and the RAR file containing the subtitles must not be listed in ³ ³ main SFV for the release. ³ ³ - Vobsub packs must have the .sub file packed with the MOST compression: ³ ³ subs.rar = [ <avi-name>.idx + <avi-name>.rar = (<avi-name>.sub) ] ³ ³ - Burned subtitles are only permissible when present in the source. If ³ ³ the subtitles overlay both active video and matting (black bars), ³ ³ cropping to the bottom of the subtitles is permissible, and an equal ³ ³ amount of matting shall be left at the top. If the burned subtitles ³ ³ overlay only matting, they must be OCR'ed and cropped out. ³ ³ - English subs on non-English releases MUST fit in the standard size ³ ³ with the rest of the release. All other subs are considered optional ³ ³ and are not required to fit in the standard release size. ³ ³ - English subs on non-English releases must be synced with the video. ³ ³ - Foreign releases (non-English spoken) lacking English subtitles MUST be ³ ³ tagged with the spoken language. Releases with English subtitles MUST ³ ³ NOT be tagged with the spoken language. A release containing English ³ ³ subtitles after a foreign-tagged release is not considered a dupe, ³ ³ regardless of whether or not the foreign-tagged release has English ³ ³ subs. ³ ³ - Subtitles on multiple-CD releases must be split. Inclusion of non-split ³ ³ subtitles in addition to the split subtitles is encouraged. ³ ³ - Custom subtitles are not allowed on retail sources. They may be used ³ ³ only with non-retail sources. Propers for incorrect or missing dialogue ³ ³ on custom subtitles are not allowed; release a subpack! ³ ³ - Multi-language subtitles cannot be used as a basis for a dupe. ³ ³ - English subbed (with original spoken language) may follow a dubbed ³ ³ release (in any language); use SUBBED tag. ³ ³ ³ ³ ³ ³ Packaging: ³ ³ - All releases MUST be AVI. ³ ³ - Must be packed with RAR and broken into 15 or 20 MB volumes. ³ ³ Each AVI for a multiple-CD release must be packaged into separate RAR ³ ³ volumes. ³ ³ - Filenames (even subpack rar file) MUST be unique (to avoid dupe). ³ ³ - Compression is not allowed. ³ ³ - Recovery and MD5 record are recommended. ³ ³ - Must have an SFV included for each CD. ³ ³ - Must have an NFO. ³ ³ - NFO SHOULD INCLUDE: ³ ³ Group name ³ ³ Title ³ ³ Actual XviD release date ³ ³ DVD release date ³ ³ Theatrical release date (US preferably) ³ ³ Video size ³ ³ Resolution / Aspect Ratio ³ ³ Audio codec / Audio bitrate ³ ³ Video bitrate ³ ³ Movie runtime ³ ³ IMDB / Amazon / Any other DVD site info link ³ ³ Number of rars per CD (e.g. 50x15MB) ³ ³ XviD build ³ ³ Packed Bitstream ³ ³ Maximum consecutive B-frames ³ ³ ³ ³ ³ ³ Credits: ³ ³ - Credits may be encoded at a lower bitrate unless they contain scenes ³ ³ like bloopers or continuation of story. ³ ³ - Cutting credits on RETAIL sources is not allowed. ³ ³ ³ ³ ³ ³ Samples: ³ ³ - Sample is required and must have a unique name for each release. ³ ³ - 1 full minute in length and in a separate folder marked as 'Sample'. ³ ³ - MUST be taken from the video, NOT encoded separately. ³ ³ - Source samples are recommended for any rip that is deemed questionable: ³ ³ no IVTC possible on source, IVTC to 24.975fps, etc. ³ ³ ³ ³ ³ ³ Propers: ³ ³ - Propers are only permitted in the case of a technical flaw in the ³ ³ original release (e.g. bad.ivtc, interlacing, oversized). ³ ³ - Propers MUST include a note in the NFO file detailing the reason. ³ ³ - Releases not nuked on release lists and/or sites MUST include ³ ³ original sample of the technical flaw in the release sample dir. ³ ³ - Qualitative propers are not allowed, nor are propers based on ³ ³ decisions made by a ripper (e.g. AC3 or MP3). ³ ³ - Propering a release done under a previous ruleset timeline is allowed ³ ³ if it has a technical flaw, such as bad.ar, bad.ivtc, over.cropping. ³ ³ Other propers acceptable are propers based on releases that did not ³ ³ follow previous guidelines at the time they were pred. ³ ³ - Releases containing hardcoded subs may be propered by non-hardsubbed ³ ³ video. Original release SHALL NOT be nuked. ³ ³ - Propering a release when a working fix is released is not allowed. ³ ³ - Sizefixes are not allowed. ³ ³ - Propers based upon the compliance with new instances of TXD2K9 are ³ ³ allowed only for releases after 2009-03-05. ³ ³ ³ ³ ³ ³ WS vs. FS: ³ ³ - WS or FS name tags on the release name are allowed. ³ ³ - A WS release after an FS release (and vice versa) requires proof that ³ ³ the new release contains more picture area than the original release ³ ³ (provide sample from the original release or JPG screenshot of the same ³ ³ frame in both releases showing additional area). A release not ³ ³ documenting additional picture area is considered a DUPE. ³ ³ - Wider wide screen where more of the original source is visible is valid ³ ³ & not considered a dupe but should be tagged as WS not PROPER. Original ³ ³ release should not be nuked. Provide proof as listed above. ³ ³ - Letterboxed DVDs are not considered FS even if the aspect ratio flagged ³ ³ on the disc is 4:3; only active picture area should be considered. ³ ³ ³ ³ ³ ³ Special Movie Editions: ³ ³ - Allowed: DC, EXTENDED, UNCUT, REMASTERED, UNRATED, THEATRICAL, CHRONO, ³ ³ SE (or any other special edition, e.g. AE). ³ ³ - Special Edition releases with same time length as previous released ³ ³ versions of the movie shall be considered dupes. ³ ³ - Shorter cut version of a movie after a longer version was released is ³ ³ allowed (e.g. THEATRICAL), and MUST be mentioned in the dirname. ³ ³ - Remastered movies after the original have been released are allowed ³ ³ only if one of the releases is BLACK AND WHITE and the other is colour. ³ ³ Everything else use INTERNAL! (Remastered DVD releases that were nuked ³ ³ in the past and were colour after black&white and vice versa, shall not ³ ³ be unnuked and shall not be duped!) ³ ³ - Extras released in a special movie edition can not be used as a basis ³ ³ for a dupe, unless released separately (and are not dupes of previous ³ ³ releases). ³ ³ - Homemade rips are not allowed (Use INTERNAL!). ³ ³ - NOTE: PAL - NTSC length difference comes from the no. of frames per ³ ³ second and not extra footage. ³ ³ ³ ³ ³ ³ Directory and File Naming: ³ ³ - All releases need to include production year. ³ ³ - DO NOT indicate ripping method, DVD/XviD release date, genre, audio ³ ³ which was used (no AC3) or anything else! (ONLY WITHIN THE NFO) ³ ³ - Movie distribution tags e.g. FESTIVAL, STV, LIMITED or TV (TV tag ³ ³ is used for TV movies only) are allowed and shall be used wisely and ³ ³ correctly. ³ ³ - READ.NFO tag is allowed, but shall not be abused. ³ ³ - Other permitted tags are: WS/FS (rules above), PROPER, REPACK, RERIP, ³ ³ REAL, RETAIL, EXTENDED, REMASTERED, RATED, UNRATED, CHRONO, THEATRICAL, ³ ³ DC, SE, UNCUT, INTERNAL, DUBBED, SUBBED, FINAL, COLORIZED. ³ ³ * Use RERIP for ripping issues and REPACK for packing issues. ³ ³ * RERIPs/REPACKs must use different file names from previous release. ³ ³ - Acceptable characters in naming a directory include (NO spaces or ³ ³ double dots - single dots or underscores ONLY): ³ ³ ³ ³ ABCDEFGHIJKLMNOPQRSTUVWXYZ ³ ³ abcdefghijklmnopqrstuvwxyz ³ ³ 0123456789.-_ ³ ³ ³ ³ - Releases that are more than 1 CD MUST be named CD1, CD2, CD3 and so ³ ³ on ('disc1' and others are NOT allowed). ³ ³ ³ ³ ³ ÀÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÙ ÚÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄ¿ ³ ÀÄÄÄ[ NOTES TO THE RULES ]ÄÄÄÙ ³ ³ ³ ³ ³ ³ Source related notes: ³ ³ - HD retail may be used as source only if no DVDRip has already been ³ ³ released (and vice versa). Such releases must be tagged accordingly ³ ³ (e.g. BDRip, HDDVDRip). ³ ³ - When using AC3 on a rip from HD retail source, re-encoding DTS, LPCM, ³ ³ TrueHD, DTS-HD and 640kbit/s AC3 to 448kbit/s AC3 is mandatory. ³ ³ - Re-encoding material of any transcoded source is strictly forbidden! ³ ³ - HD retail rip released after 1080p/720p needs source proof (a raw m2ts ³ ³ sample including all audio/subtitles tracks) in sample dir. ³ ³ - R5 is not considered retail. ³ ³ - Non-studio audio must be tagged accordingly, e.g. LINE audio. ³ ³ * Releases provided with studio audio do not dupe releases with non- ³ ³ studio audio. The reverse does not apply! ³ ³ - The use of sources like CAM, TS, TC, Workprint, SCREENER, Laserdisc ³ ³ etc. MUST be tagged with source in the dirname and must adhere to ALL ³ ³ TXD2K9 rules! ³ ³ - DVD Screeners shall be clearly marked in the directory name and the ³ ³ nfo shall contain presence of studio watermarking, black&white scenes ³ ³ and counters or lack thereof. ³ ³ ³ ³ ³ ³ Internals: ³ ³ - INTERNALS should follow all TXD2K9 rules and are exempt from the time ³ ³ length rules. ³ ³ - Multi-language audio tracks are allowed. Multiple languages should be ³ ³ interleaved into the AVI, with a graphedit filter for each appropriate ³ ³ audio stream. ³ ³ - Other codecs and containers are allowed for experimental purposes. ³ ³ - INTERNAL dirfix should not be used as a basis of avoiding a nuke. ³ ³ ³ ³ ³ ³ Ripping related notes: ³ ³ - MAXIMUM bitrate must not exceed 4854 for more than a second and must ³ ³ not exceed 8000 kbps ever. DivX Home Theatre and MTK (not 6000) ³ ³ profiles follow these guidelines. ³ ³ - Quantizer matrix MUST be H.263 or MPEG. Custom matrices are forbidden ³ ³ due to lack of standalone support. ³ ³ - Pixel shape MUST be square. ³ ³ - Quarterpixel/GMC are forbidden due to lack of hardware support. ³ ³ - The use of ITU-R (Gknot function) is not recommended. ³ ³ ³ ÀÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÙ ÚÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄ¿ ³ The Tradition Continues: TXD RULES 2K9 (2009-03-05) ³ ³ TXD2K5 (2005-09-25) 2K2 (2002-07-12) 2K1 (2001-04-22) Original (2000-04-26) ³ ÀÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÂÄÄÄÄÄÄÄÙ ÚÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÁÁÄÄÄÄÄÄÄ¿ ³ À--------[ GROUPS ]--------Ù ³ ³ TXD2K9 signed by the following XviD Groups: ³ ³ ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ ³ ³ ALLiANCE DMT DoNE NeDiVX ViTE iMBT COCAIN PUKKA Larceny AMIABLE ³ ³ ³ ³ HLS LMG ARROW COALiTiON SAPHiRE MOTION BeStDivX NEPTUNE iNTiMiD ³ ³ ³ ³ HEFTY BaLD mVs OPTiC VoMiT ESPiSE TWiST EPiSODE FRAGMENT ARiSCO ³ ³ ³ ³ FFNDVD SAiNTS TVA iNFiNiTE FoV ORPHEUS TOPAZ REWARD WAT NODLABS ³ ³ ³ ³ PHASE HAGGiS aAF OSiTV RiVER REMAX MACRO FQM SFM WPi DOMiNO DvF ³ ³ ³ ³ 5MeOAMT ELiA ARTHOUSE BETAMAX EPiC iLS BrG DnB REACTOR DOCUMENT ³ ³ ³ ³ AEN FiCO BLooDWeiSeR TNAN CoWRY iGNiTE SSF D3Si ARiGOLD AsiSter ³ ³ ³ ³ FLAiR WRD AFO SSB TheWretched LAJ KiNOBOX WiRA BiEN GAYGAY RUBY ³ ³ ³ ³ MESS AEROHOLiCS VH-PROD iMMORTALs JFKXViD iFN MoH XanaX WaLMaRT ³ ³ ³ ÀÄÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÄÙ À----[ Edited by tcj 2009. Respect goes to all TDX teams 2000-2009 ]----Ù
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