spudthedestroyer wrote: |
You know you've just done more to ensure people click the download than any glaringly positive review could have encouraged?  |
Well, with that in mind, I'd like to wholeheartedly recommend this absolute fucking masterpiece.
The narrative, framed in a style that some would consider 'poor', 'amateurish' or 'atrociously bad' I consider to be a learn-by-example of unparalleled genius. It challenges our conceptions of what makes for good cinema, or even 'entertainment', and offers, instead, a story-stucture and pace that allows one so much interpretation. As a viewer you will look deep inside yourself, back and forward through time, out of the window, in your pockets... Pretty much anywhere but the screen while it's on. SUCH is the profundity of the Day Of The Dead 2008 experience.
The performances are, in a word, acting.
There are many other words that could be used, but I think the director should be applauded for making use of people from the 'special communities'. Thier unique interpretations of emotional responses are brave, thier struggle evident in every laboured motion and word. It almost brings a tear to the eye, especially when comparing this to the original D.O.T.D. which relied so heavily on such conventional approaches to acting. These are the kind of challenges we should confront ourselves as viewers of high class cinema.
Scares? Well, in the original, we had the hands coming out of the wall, Dr Tongue, the amazing Rhodes death scene, the metaphorical, regan-era cold war tension between science and millitary, the oppressive gloom of the miles of underground tunnels filled with the groaning dead. This version does away with such things, instead employing a cast of utterly lovely photogenic models barely out of thier teens. Surely this, more than anything Romero has ever done, reminds us to be cautious of our collective attitudes towards the increasingly disposable nature of society, how living for now, and only caring about image and asthetics will surely come back and bite us. The lack of gore just reinforces the fact that beauty is only skin deep and looks fade with age... or infection from a zombie bite. In this one, the zombies can also climb on walls and shit. Which is also brilliant. And not at all rubbish.
To summarise, this is the best film ever made in the history of all existence and should be experienced by everyone at least one thousand times. In NO WAY is it a cynical exploitation of focus group, coporate demographic mentality, created entirely for audiences of pubescent, text-speak, MySpace idiots who will whoop at any bright colours and loud noises like a bunch of hollering sub-cretins in dire need of having some real life punched into their vacant, teenage, mouth-breathing faces.
Yes, please download it. You wont regret it.