Murnau’s last German film features astonishing photography, magnificent art direction, and special effects which retain the power to amaze. Freed from the constraints of psychological narrative, Murnau’s mastery of cinematic technique places Faust at the pinnacle of the silent era, its barrage of visceral and apocryphal imagery contrasting with the simplicity and directness of its spiritual theme.

In collaboration with the screenwriter Hans Kyser, Murnau fused Faust’s script from German folk legend and the works of Goethe, Gounod, and Marlowe (particularly using the latter’s tone). Faust’s tale is a classic one of a man who sells his soul to the devil. In an attempt to gain control of the Earth, Mephisto (Emil Jannings) wagers an angel (Werner Fuetterer) that he can corrupt the soul of the elderly professor Faust (Gosta Ekman). As the Horsemen of the Apocalypse ride demonically through the sky, Mephisto towers over Faust’s hometown unleashing a plague that spreads amongst its inhabitants. Faust, unable to find a cure for the citizens who are dropping dead around him, renounces both God and science invoking the aid of Satan through a mysterious book that he chances across.

Murnau, a perfectionist, shot multiple takes of each scene with only prime takes making the final German domestic cut of Faust. Only the prints made for export outside Germany were seen until recently, indeed this version was at one time thought to be the only version (it used discarded takes, errors, less impressive special effects, and human stand-ins for real animals). Using the nitrate duplicate negatives printed by UFA in 1926 (and an array of international sources) Murnau’s favoured domestic German version of Faust has now been meticulously reconstructed by Luciano Berriata for Filmoteca Espanola from which this newly restored transfer is sourced. The Masters of Cinema Series is extremely proud to be able to present the original German domestic cut of Faust for the first time on home video in the UK.

Edit2: Tech note bout frame rate. The Moc version runs 20fps in a "clean" pattern of one dupe out of five. As far I know, spanish Divisa Red edition of the same material was authored at 19.2 fps giving of course a 4% of diference on the running time...(Beaver`s review wrongly speaks of "Pal speedup" )
.... So the decimation wasn`t hard (I`m playing now with a bloody Garbo pic with 33 dupes out of 137 frames=22.75fps, that`s ugly) BUT...randomly. and in some of the more damaged parts, you`ll find inconsistences on the pattern i.e. with 3/4 or 5 dupe frames, always at the end or begining of a take (never in the middle)...I don`t see this as a DVD authoring problem of the source but as a restoration choice to get closer of the original number of frames and duration of the damaged fragment. Short, those parts cannot be decimated, they`re as in the DVD and mostly in the more damaged parts of the material.
Some examples...
1) when the fog goes out and we see Faust for second time : missing frames of the transition (4 dupes)=violent aparition of "alchemist" Faust.
2) when the devil spreads the Plage over the town you can spot a repetition of the frames the second time (3 dupes)= small freezing of the plague
3) when the public looks over the dead face of the clown (3 dupes)...