The story starts out innocently enough. G?kalp, the editor of the high school journal, has a crush on pretty G?ldem, which he expresses through a series of carefully handwritten stories, delivered in fancy red envelopes. G?ldem?s already taken, though, and her thick-skulled boyfriend Ersin publicly humiliates G?kalp for his platonic puppy love. As a result, G?kalp commits suicide.

A year later, the university entrance exams are coming up fast and all the students in the boarding school are stressed beyond belief. G?kalp?s suicide still troubles G?ldem, especially when a series of increasingly eerie and inexplicable events begin to suggest that the lovestruck writer may be dead but not gone. In the chaos of the exam crunch, the school?s staff are far too tied up to be of any help, so it?s left to G?ldem, Ersin and their friends to confront the tragic?and possibly lethal?ghost together.

Okul turns a new page in Turkish cinema, previously devoid of anything fitting into the horror genre. Not only does Okul, which means ?school,? bring the American teen chiller to Turkey (sexy school uniforms and clownish teachers intact), it also challenges the mores and conventions of Turkish society. Far from the usual family-centered dramas, it?s set in a boarding school where the kids are unrestrained by any authority other than perhaps the goofy security guard Suleyman. It?s a clear effort on the part of producer Sinan ?etin and the directing duo of Yagmur and Durul Taylan (like the Wachowskis and Pangs, another brother team) to create a film that speaks to the increasingly hip and Westernized Turkish youth, blending spine-tingling terror, touching romance and an authentic eye for the joys, pains and antics of the modern teenager. ?Rupert Bottenberg

Any hair in the armpits?That would be an extra added bonus(Just for me personally)Thanks for another beauty man