The Undying Monster is an unfsortunately uneven horror film that divides into three parts. There's a good, involving opening, followed by a decidedly dull middle stretch and a ripping climax. This structural inconsistency is a shame, though it's hardly the only failing in the screenplay. The story is at times clumsily told, and the "comedy relief" provided by Heather Thatcher's character is absolutely painful. However, when the writers are left to deal with the supernatural aspect of the piece, it's gripping and quite enjoyable. John Brahm's direction can't reconcile the pedantic middle with the exciting bookends, but when it is on target, it's devilishly good. The cast is uneven, with Heather Angel a standout for her excellent work and Heather Thatcher a standout for the annoyance she causes, and the rest ranging from acceptable to adequate. Where Monster consistently shines is in its atmosphere, thanks largely to Lucien Ballard's fog-filled, shadowy, evocative cinematography, which is constantly inventive -- a nice surprise for a "B" effort like this. The sets are also surprisingly good for a "quickie," and the score effectively plays up the tension. If Monster doesn't belong in the top ranks, its good points are such that horror fans should seek it out for a viewing. |
